Work Day

Posted in On the Verge, Running the theatre, Theatre of the Mommies on October 4th, 2010 by kellinewby

Juliana, our set designer, looked a little sleepy.  She was sitting on the couch in the lobby, coffee in hand.  Her husband lounged nearby, as did Todd, our tech director.  It was ten o’clock on a Sunday morning and time to start building the set, which included taking down the Baltimore Waltz set.  The day was going to be full of hard, dirty jobs.

“No baby?” Juliana said, obviously disappointed.  “I wanted to squeeze him.”

A normal mother might have been shocked–shocked!–that someone would ask why she’d left the baby at home for a theatre workday, but it had only been a week since Lex and I had scrubbed the theatre clean for Gypsy Lane, she with her angelic 2 month old slumbering in his car seat and me with my beefy 7 month old strapped to my back.  I hate to clean the basement and she hates to clean the refrigerator, so she vacuumed around a bucket seat and I scrubbed spilled soda and wondered who had put all those half-eaten bags of pepperoni in the fridge and left them there while my papoose babbled away and occasionally reached for something I really didn’t want him to have.

We spent the day working.  I had to go back and forth between home and the theatre for my baby.  At one point I came back and the walls were being painted black by two sets of parent/child teams, one which boasted a four year old.  He was painting and making R2D2 noises (which are much higher pitched than you’d imagine).  In the lobby, Don Jordan (the director of On the Verge) and Juliana were having an intense meeting figuring out the last details of the set.  It’s going to be a highly interactive set, so a lot of the blocking depends upon the set, and vise versa.

At the end of the day, we were filthy and we hadn’t quite gotten everything done, but the actors were fitted for costumes, the old set was down, the measurements had been taken to plug the backstage “pit of dispair,” and an office had been set up in the window of the theatre so that Ed can do daily office hours in full view of the public.  We’ll finally look open.

Speaking of “open,” On the Verge opens in just under two weeks.  Better get back to those props.